Zero-G Morphology VSTi

MORPHOLOGY is a powerfully atmospheric virtual instrument featuring over 3 Gb of evolving soundscapes, dream synth patches and samples for film composers and sound designers, created from scratch by IAN BODDY, one of the UK's most celebrated synthesists, and a veteran of the European electronic music scene since the late 1970s. Boddy has over 20 solo albums to his credit, runs the ambient label DiN, has composed 6 library music CDs for DeWolfe Music and has previously created numerous popular sample libraries for Zero-G including Ambient 1 & 2, Malice In Wonderland and Dream Zone. His exclusive sound archives and arsenal of vintage and modern synths have been extensively plundered to create the unique and inspiring new library that you will find within this powerful virtual instrument.



"Kompakt provides a fairly straightforward but nevertheless very versatile front end for the playback of sample libraries of this kind, and while the 3GB Morphology core sample library is impressive, it is even more impressive to be able to edit the sounds so easily. Morphology should please anyone who's into realistic-sounding analogue synths or evolving textures, and even if you already have Spectrasonics' Atmosphere, it offers a different take on the genre. All in all, this is a pretty impressive workshop of weirdness that manages to be both different and musically useful."

"Outstandingly moody and emotional sounds, effects and ambiences....A potential lifesaver in music-for-picture applications, and killer for music composition too....The size of the sound library is impressive...There's a lot of quality material here. Harmonic Loops holds some of the most beautiful sounds in the entire collection. They'd be great for communicating longing, sorrow, tears of joy. Strong but quiet emotions. They're the kind of thing that'll likely turn up in a lot of TV movies... Big kudos to Boddy's collaborator Markus Reuters for his contributions here. ...it could be argued that Boddy's done all your work for you.....but some composers will likely thank their lucky stars for the completeness of some of these patches. They're a potential boon to the music-for-picture crowd. But in the final analysis, this work is so well done, so imbued with mood and emotion, that it's a pleasure to recommend it."

"Terrific sounds in a flexible user interface... it's worth buying simply for the sounds. They'll blow you away!... The samples were created by veteran synthesist and electro-musician Ian Boddy....Ian's style makes much use of textures; he's a past master of analogue synthesis and seems to be able to wring the last ounce of potential out of a sample... The samples are best described as evolving, morphing, multi-waveform sounds - full of interest and excitement. They range from the subtle, calm and inspirational to down and dirty, hard industrial tones and drones... A good selection of pads and arpeggiations, bells, clusters, pitched and noise-based effects. The Harmonic Loops are particularly musical and inspirational, while the Voices collection ranges from the angelic to the demonic. Ian Boddy has certainly brought all his skills and expertise to bear in the creation of these sounds... There's no denying the quality of the material here... A stunning collection of sounds suitable for use in a wide range of music, particularly styles with a synth or electronic foundation. Some textures would even fit well into a rock or pop context... Ian Boddy says that the collection was designed to "inspire you to make your own music" - and if you have a soul, that's what it will do. If the muse has left you, play these to encourage its return... Why Buy? Superb sounds and textures, powerful editing facilities, integrated effects, Standalone and plug-in versions."

Sound Quality
All the sounds were recorded and processed at 24 Bit resolution and 44.1KHz sample rate.

Organisation
The Instruments list (which can be viewed by clicking on "MORPHOLOGY Patch List (PDF)" at above left) groups the sounds into categories. These are further subdivided into folders which then contain a selection of sonically related instruments.

Memory Size
The size in Mb is given for each instrument in the Patch List. All programming has been carried out with the samples loaded into RAM. However, a visit to the Native Instruments website will enable registered users to download an update to the KOMPAKT software interface which would allow you to activate a Direct from Disk (DFD) functionality if you prefer, thereby enabling the streaming of the samples direct from your hard disk drive.

Modulation Wheel Assignments
Every single instrument (except the basic waveform templates) has the Modulation Wheel assigned to a function. This gives a lot of dynamic control over the character of the sound. These assignments are listed for your convenience in the Patch List.

Polyphony
All instruments are programmed at the default polyphony of 32 notes except for a selection of sounds in the Synths sub-folder. These sounds are marked as Monophonic in the instrument list (see below).

Groups
Several of the Noise FX instruments use templates that have two groups assigned (White + White / Pink + Pink or White + Pink Noise). These of course therefore use 2 notes for every single note played. Their table of contents also lists the Mod Wheel assignment of each of the groups.

Multis
Up to 8 instruments can be combined in a Multi giving a vast array of possible combinations of the supplied single instruments. For example try combining a couple of bass instruments for some really fat and thunderous sounds. Or how about combining a Sawtooth and Square wave pad and then using the modwheel to crossfade between them. This latter effect is easy to set up by over-riding the pre-programmed Mod Wheel assignments. Simply set the Mod Wheel to control one instrument with positive volume control and the other with negative volume control.

CPU Load
The exact CPU load of any given instrument depends on a myriad of factors - the power of your computer, notes played, complexity of the instrument etc. However if you find the CPU load is too high for any particular instrument the quickest way of reducing this is to see if the instrument uses any of KOMPAKT?s own built in FX. If so these can be turned off to maximise CPU efficiency.

Tuning
Where possible the samples have been tuned to C3 as the root key. However bear in mind that many of the more esoteric sounds either use heavily detuned or pitch scrunched effects so exact tuning is tricky to say the least. Also several sounds use exotic micro-tonal scales so again they can be difficult to sit into a normal harmonic structure. Many of the loops provided by Markus Reuter were originally played in keys other than C. In these cases the Patch List (click on the link above left for the PDF) lists their Root Keys where you will find the original sample playing back as it was originally recorded. Finally many of the instruments have as part of their name useful clues to what key, mode or notes are involved in their construction.

Virtual Synth
With the user interface that the KOMPAKT INSTRUMENT format provides, it was a good opportunity to provide a meticuolusly prepared set of basic analogue synth multi-samples. These raw VCO samples can be used as the sound source for some serious synth programming.

With this aim in mind samples were prepared @ 24Bit/44.1KHz across the whole keyboard range and provide an accurate representation of all 6 waveforms of probably the most famous analogue synth of all time. Each sample is 11 seconds long with a loop length of about 9 - 10 seconds per sample. This is sufficiently long to allow a certain 'natural' feel to the sounds with slight pitch drifting or phase changes occurring over this time.

The full multi-samples were prepared at every minor third starting at Gb-1 and going all the way up to C8. Thus each of the pitches, namely C, Eb, Gb and A need only be transposed up and down by one semi-tone to provide the remaining notes. This means that one of the waveform templates includes 35 seperate samples and requires 48.6 Mb of memory. Lite versions are also provided where the Eb and A samples were omitted as well as the very low and high frequencies. This provides a more memory concious 15.3 Mb template.

The 6 waveforms are Triangle, Triangular Sawtooth, Sawtooth, Square, Wide Rectangular and Narrow Rectangular. Of course each of these has different harmonic contents and so sound quite different. Also when viewed close up in a sample editor it becomes clear that these are certainly not theoretically perfect waveforms but include all sorts of rough edges which is probably what gives an analogue synth that mystical warm fuzzy sound we all love so much.

As one of the purposes of this excercise was to duplicate this warmness it wasn?t felt necessary to exactly tune all the samples. So the procedure in preparing the samples was to manually tune each one to a reference source by ear. This means that when playing the finished result a certain amount of beating between different samples will occur which is a good thing! Furthermore some of the ear splitting high notes are almost impossible to tune exactly. What you get though is a beautiful, full, warm analogue VCO template which you can then use as the starting point for synth programming using the KOMPAKT INSTRUMENT interface.

The Virtual Synth folder holds the raw templates in both Full and Lite versions as well as some White/Pink Noise templates. Use any of these as a basic starting point or explore the many variations that are provided. You'll find a few of the latter in the Noise FX subfolder derived from the White/Pink Noise templates. About 70% of the instruments in the Synth Pads subfolder and 100% in the Synths subfolder are derived from the full and Lite waveform templates.

SUMMARY of Features:
- Over 3 Gigabytes of new evolving and morphing soundscapes, dream synths & samples by IAN BODDY, one of Europe's leading synthesists,
- Virtual Synth section includes lovingly multi-sampled / multi waveform analogue synth. In conjunction with the flexibilty of the Kompakt interface this provides the user with a huge potential to customise their own sounds,
- All original samples, recorded at 24 Bit sample resolution for hi-fidelity,
- Easy and intuitive user interface (a version of Native Instruments' superb KOMPAKT sampler),
- Engine is based on KONTAKT audio engine, the world's finest software sampling engine,
- Professional sound quality with advanced 32-bit processing,
- Powerful filter offers six types, including low-pass, high-pass, and band-pass,
- Three AHDSR envelopes and four LFOs,
- Integrated effects: chorus, reverb, and delay,
- Total Recall (complete MIDI automation and control),
- Sound Library can also be loaded into other Native Instruments samplers including KONTAKT, for even greater flexibility and more options for working with the material.

Supported Interfaces & Standards:
VST 2.0, DXi, ASIO, Soundmanager, OMS, Audio Units**, Core Audio**, RTAS**. (Not compatible with Mac Intel)

Recommended Retail Price:
$199.95 US Dollars (169 Euros / £114.95 pounds sterling)
Or, buy and download just the sample library as a series of 8 download packs in WAV/Kontakt format at $29.99 each.

Minimum Requirements:
- Windows XP/ME/98, Pentium III/ Athlon 400 MHz, 256 MB RAM- Mac OS 9.2 or higher, G3 500 MHz, 256 MB RAM, DVD-ROM drive. (Not compatible with Mac Intel)

Recommended System:
- Windows XP, Pentium III/ Athlon 700 MHz, 512 MB- Mac OS 9.2 or higher, G4 733, 512 MB, DVD-ROM drive ** RTAS support and OS X compatibility including support for Audio Units and Core Audio are available as a free downloadable update NOW (see details within package). (Not compatible with Mac Intel)


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