GUITAR RIG 3 is the ultimate all-in-one guitar and bass solution. Simply connect your guitar with your computer via the enhanced Rig Kontrol 3 foot pedal and you are ready to go. The on-board studio-quality soundcard routes the signal to your speakers, while the software grants you access to an incredible number of perfectly modeled classic amps, cabinets, mics and effects - all arranged in a super-simple drag-and-drop rack format. Any style, any time - the perfect solution for professional studio and live setups.
Top Features
* Twelve supreme-sounding guitar and bass amps
* New matched cabinet module provides tried and true classic sounds in seconds
* 44 perfectly emulated guitar effects
* 17 guitar and six bass cabinets, four rotary speakers and nine microphones
* Includes Rig Kontrol 3 foot controller with Audio/MIDI interface
* Intelligent preset management for fast access to a huge selection of sounds for all styles
* Essential tools: Integrated tuner, metronome and two tapedeck modules for easy recording
* Premium special features include a loop machine and powerful modifiers
* Dedicated "Live View" for performing on stage
* Dynamic Tube Response Technology® delivers a profound sonic quality
http://rapidshare.com/files/196808646/N-I-G-ui-tar_R-ig-_3-_V-sti.part1.rar
http://rapidshare.com/files/196808644/N-I-G-ui-tar_R-ig-_3-_V-sti.part2.rar
http://rapidshare.com/files/196808645/N-I-G-ui-tar_R-ig-_3-_V-sti.part3.rar
Wednesday, February 11, 2009
Native Instruments Guitar Rig 3 + v.1.1 Update
GForce Minimonsta VSTi RTAS v1.0.8 incl.Keygen - AiR
Minimonsta : Melohman from GForce (GMEDIA/Ohm Force) is an emulation of the classic Minimoog that was at the forefront of the analog synth revolution and made famous by artists like Jan Hammer, Rick Wakeman, Keith Emerson, Chick Corea, Gary Numan and Kraftwerk. Every component of the triple-oscillator vintage synth has been faithfully modeled with "stunning realism - and then some".
The Minimonsta is fully programmable, ships with over 2500 presets and can even morph between presets within a bank for unprecedented control. There's also an additional LFO and ADSR that can be applied to just about any parameter, as well as delay. You can even play the Minimonsta in monophonic, polyphonic or unison modes.
Features:
* Expertly crafted analog model of the classic Minimoog synthesizer.
* All original features including 3 VCOs and 4-pole 24dB/octave VCF.
* Additional LFO & ADSR for matrix modulation of almost every parameter.
* Monophonic, polyphonic, legato and unison trigger modes.
* Fully programmable with over 2500 factory patches.
* Real-time morphing between up to twelve patches via keyboard control.
* External input allows filter to be used as plug-in effect.
* Full automation support with MIDI learn with storable Continuous Controller maps.
* Delay effect.
http://rapidshare.com/files/196802065/GF-or-ce.Min-imo-nsta.VS-Ti.RTA-S.v1.0.-8.inc-l.Key-gen-AiR.rar
Friday, January 30, 2009
db Audioware Sidechain 1.1 Vst
Side-chaining compressors are amazingly useful effects. They are standard issue tools for vocal ducking in radio production, to fade out music when a narrator is speaking. They are also insanely popular in dance production, able to make your whole mix "pump" or "breathe" by following a kick drum.
Unfortunately, side-chaining in software can be tricky. Some audio programs simply do not support it, others require pretty complex routing techniques.
The good news is that Sidechain Compressor is easy to use, and works in almost any audio software package - even those that do not directly support side-chaining***. It only takes a few mouse clicks and you're up and running!
Side-Chain Tutorial
As if that wasn't enough, we have completely re-designed the compression algorithm for a more analogue response. This compressor offers more character, control and flexibility than any previous db audioware compressor (and we've built a few over the years).
Smooth sounding compression is possible with very short attack/release times. Sidechain Compressor actually performs wonderfully as a standard channel insert compressor, and by tuning the EQ and Shape controls, you can completely modify the response and sound of the compressor.
Features
* all-new compression algorithm with great vintage sound
* easy multi track side-chaining based on db audioware's Universal Sidechains
* one-to-one-track or one-to-many-tracks side-chaining
* elegant user interface with clear visual feedback
* precision control over the compression response (EQ & Shape)
* gain control for manual gain make-up or fine adjustment of output level
* auto-gain with integrated limiter
* full MIDI control, with easy to use MIDI Learn
Universal Sidechains
At the heart of Sidechain Compressor is db audioware's Universal Sidechains, the most popular and well-tested independent side-chain method on the market. Universal Sidechains let you side-chain in most multi track hosts, even if the host software itself does not have that native capability***.
So when you want to do multi track side-chaining, simply open two copies of Sidechain Compressor, one in your "send" track and one in your "receive" track. Set the plug-in controls as shown below and your Universal Sidechain is ready to go!
http://rapidshare.com/files/191525304/d-b_au-dio-ware_si-de-chain_1-.1.rar
Wednesday, January 28, 2009
Schwa Oligarc VST Bundle - MP
Oligarc is a collection of four world class virtual analog FX, tied together by a modulation nerve center that converts the input audio into control signals that can be routed to most of the effect knobs. Oligarc can be an LFO-driven filter, an envelope-controlled phaser, a gate-triggered saturation effect, or anything else you can think up, including mad combinations of linked modulation of multiple effects at once.
Oligarc has been tested in the following audio host applications: Ableton Live 4-7, Bidule, Chainer, Cubase SX3 and C4, Digital Performer 5, Energy XT2, FL Studio 7, Forte, GarageBand, Logic 8, Metro, Numerology, Reaper, Samplitude 9, Sonar 7, Tracktion 3.
http://rapidshare.com/files/190618950/Sch-wa_O-lig-arc_VS-T_Bu-ndle_-_-MP.rar
Stillwell Audio Schwa Olga v1.01.02
Olga is a virtual analog synthesizer designed from first principles to be distinctive.
"Imagine a handmade experiment from an unlikely place, a synthesizer so full of life and character that it earns the right to be called a musical instrument. Olga encourages risk, experimentation, and exploration, and rewards you with unexpected and exciting sounds, vibrant and human. This is the dusty gem you could spend your life searching for."
Bezier Anti-aliased Dynamic Analog Synthesis System: Olga uses a new approach to DSP waveform generation to emulate glorious analog imperfection. Olga's free running oscillators are in a constant state of structured variability, a deeply musical instability, free of aliasing artifacts and light on your CPU.
Gaussian Reactive Oscillator Overdrive Virtual Engine: Throughout Olga's signal path, levels can be pushed through saturation and into full overdrive, with a thickness that develops organically, breathing life and character into your music.
http://rapidshare.com/files/190615891/Stil-lwe-ll.Audi-o.Olg-a.v1.0-1.02.rar
Audio Damage Vapor VST v1.0-AiR
What on earth is diffusion chorus? As the name implies, it has diffusion (sort of a red-headed step-child of reverb) and modulating delays (which, as we all know, equals "chorus"). Vapor takes this underused effect, usually only available in high-end hardware boxes, and makes it available to anyone.
Vapor's main purpose is to add top-end shimmer to pads, strings, and rhythm guitar to make those sounds cut through the mix. However, at more extreme settings, unique modulation effects can easily be attained.
http://rapidshare.com/files/190596927/Aud-io.D-ama-ge.V-apor.VS-T.v1.0.In-cl.Ke-ygen-AiR.rar
Tuesday, January 27, 2009
Spectrasonics Atmosphere + Update v.1.2
The Atmosphere Dream Synth Module™ is a software plug-in instrument that integrates a massive, three gigabyte core library of more than one thousand unique sounds and layer elements, with a powerful and intuitive interface for shaping new textures. Atmosphere works as a native plug-in instrument in all major hosts like Logic, Digital Performer, Cubase, Nuendo and Pro-Tools.
Atmosphere was designed from the ground up by acclaimed synthesist Eric Persing, well known for his sound design of classic Roland synthesizers and award-winning sample libraries.
Persing and his International team of sound designers developed the Atmosphere core library using over a hundred sound design devices and nearly every conceivable synthesis method including Granular, Additive, Wavetable, Wavescanning, Graintable, Neural Processing, Vintage Analog, Vector, Virtual Analog, FM, Plug-In manipulations, and unusual Acoustic sources as well. This custom core library gives Atmosphere its unprecedented variety of tonal textures, especially when compared to standard soft-synths.
The range of sounds this instrument is capable of is astonishing, from lush ethereal pads, to powerful leads, crystalline glass swells to dark brooding atonal clouds, unusual synth basses, evocative ambiences, deep drones, complex textures, vintage analog sounds, disturbing noise FX, europhasers, gorgeous ambient string ensembles, thick trance/techno sounds, wavetable sweeps, vocoded choirs, dense vocal washes, transparent evolutions, and shimmering prisms of harmonic convergence. Sounds this rich put even the best hardware synths to shame!
The stellar Sound Quality is this instrument's number one feature. The scope of sounds it can produce is very broad, making it extremely versatile in a wide variety of musical situations. This is made possible because there has never been a programmable synth released with such a massive, high resolution core wavetable to work with... completely dedicated to sound design elements (no stock pianos or oboes!)
Our original design for Atmosphere was intended for producing evolving pads and rich ambient sounds. However, in the evolution of the development of Atmosphere, we have significantly expanded the range of the core library's sonic palette and added new functions and capabilities to the interface, which now allow for a vast array of synth sounds and sound design, including unique leads and percussive sounds as well. We are very pleased to be releasing Atmosphere as a much more powerful synthesizer, capable of many inspiring and fresh sounds across the complete range of electronic music. It's also gratifying that we've been able to include these new capabilities without making the interface more difficult to use. No matter how our instruments will be evolving over time, the cornerstone of our design philosophy will always be to make 'powerfully simple' instruments, that every user can get great results with.
The core library of a thousand powerful sounds is just the starting point for your own creations. The beauty of Atmosphere is in its "dual-layer" concept. You can immediately mix and match the layers of any of the 1,000 patches, and tweak each layer fully independently. That's over a million possible combinations! Each layer has its own multimode resonant filters, four syncable LFOs, three envelopes and matrix modulation. There is also an additional master filter for quick tone shaping. The possibilities for creative manipulation are phenomenal... and yet it is so easy to use.
Atmosphere is an amazing sounding instrument, designed to inspire and surprise for many years.
# 3.7 gig core library offers vast array of textures to explore
# 1,000 patches by award-winning sound designer Eric Persing
# Powerful interface and synthesis capabilities
# Dynamic layering of sounds for over 1,000,000 mix combinations
# Easy to use... Built-in patch management system
# Fully programmable
# Total recall with your sequence
# Multimode resonant Filters for each layer, plus Master Filters
# Three envelopes per layer for Pitch, Filter and Amplitude
# Matrix-style modulation routing, four LFOs
# Powered by custom 32 bit UVI engine
System recommendations:
512 MB RAM, 3.9 GB free hard disc space
MAC: G3/G4/G5 compatible only, OSX 10.2.6 or higher, Audio Unit, VST or RTAS host
http://rapidshare.com/files/190049562/Sp-ec-trason-ics.A-tmo-sph-er-e_v.1-.2.part01.rar
http://rapidshare.com/files/190049558/Sp-ec-trason-ics.A-tmo-sph-er-e_v.1-.2.part02.rar
http://rapidshare.com/files/190049561/Sp-ec-trason-ics.A-tmo-sph-er-e_v.1-.2.part03.rar
http://rapidshare.com/files/190049559/Sp-ec-trason-ics.A-tmo-sph-er-e_v.1-.2.part04.rar
http://rapidshare.com/files/190052428/Sp-ec-trason-ics.A-tmo-sph-er-e_v.1-.2.part05.rar
http://rapidshare.com/files/190052473/Sp-ec-trason-ics.A-tmo-sph-er-e_v.1-.2.part06.rar
http://rapidshare.com/files/190052482/Sp-ec-trason-ics.A-tmo-sph-er-e_v.1-.2.part07.rar
http://rapidshare.com/files/190052484/Sp-ec-trason-ics.A-tmo-sph-er-e_v.1-.2.part08.rar
http://rapidshare.com/files/190055587/Sp-ec-trason-ics.A-tmo-sph-er-e_v.1-.2.part09.rar
http://rapidshare.com/files/190055585/Sp-ec-trason-ics.A-tmo-sph-er-e_v.1-.2.part10.rar
http://rapidshare.com/files/190055704/Sp-ec-trason-ics.A-tmo-sph-er-e_v.1-.2.part11.rar
http://rapidshare.com/files/190055759/Sp-ec-trason-ics.A-tmo-sph-er-e_v.1-.2.part12.rar
http://rapidshare.com/files/190058092/Sp-ec-trason-ics.A-tmo-sph-er-e_v.1-.2.part13.rar
http://rapidshare.com/files/190059059/Sp-ec-trason-ics.A-tmo-sph-er-e_v.1-.2.part14.rar
http://rapidshare.com/files/190059170/Sp-ec-trason-ics.A-tmo-sph-er-e_v.1-.2.part15.rar
http://rapidshare.com/files/190059308/Sp-ec-trason-ics.A-tmo-sph-er-e_v.1-.2.part16.rar
http://rapidshare.com/files/190061755/Sp-ec-trason-ics.A-tmo-sph-er-e_v.1-.2.part17.rar
http://rapidshare.com/files/190062891/Sp-ec-trason-ics.A-tmo-sph-er-e_v.1-.2.part18.rar
http://rapidshare.com/files/190062898/Sp-ec-trason-ics.A-tmo-sph-er-e_v.1-.2.part19.rar
http://rapidshare.com/files/190063053/Sp-ec-trason-ics.A-tmo-sph-er-e_v.1-.2.part20.rar
http://rapidshare.com/files/190065366/Sp-ec-trason-ics.A-tmo-sph-er-e_v.1-.2.part21.rar
Spectrasonics Trilogy v1.2
The Ultimate Electric, Acoustic and Synth Bass Instrument
When you're ready to get serious about Bass, this is the instrument! Trilogy is a programmable, sample-based sound module plug-in, that integrates a massive 3 Gigabyte core library of hundreds of brand new, remarkable Bass sounds, with a powerful user interface for creating your own unique patches. Trilogy works as a native plug-in instrument in all major hosts like Logic, Digital Performer, Cubase, Nuendo, and Pro Tools.
The real power of Trilogy lies within its layering concept. Beyond the core library hundreds of incredible new Basses, every patch in Trilogy has two layers that you can tweak individually. You can also immediately mix and match any of the layers in the core library together, and edit each one independently. Imagine the power of combining the sound of a real Minimoog™ with a Fretless bass, or a Access Virus™ with a TB-303™, or even adding a Juno™ sub-oscillator to an Upright Bass! There are thousands of earthshaking combinations, and you'll never run out of options.
Let's look at each of the three sections of Trilogy in detail, since each one has some innovative features:
ACOUSTIC BASS
The highly detailed Acoustic Upright Bass is one of the highlights of this instrument. Because of Trilogy's unique interface, you can get a wide variety of gorgeous tones from this Bass. This is made possible because the interface has separate control of the Neumann™ U-47 Tube Microphone signal and the Direct Pickup signal, which was sampled through a vintage Neve™ 1083 Console. This stunning sounding acoustic is chromatically sampled, with multi-dynamic velocity switching. The hardest velocity in every Bass patch in Trilogy brings in real bass glisses, similar in concept to the idea Spectrasonics pioneered on the Hans Zimmer Guitar libraries. An acoustic Martin™ Dreadnought Bass Guitar is also available in the Acoustic section -perfect for those "unplugged" sessions!
Trilogy's innovative True Staccato™ technique lets you play repeated notes on the Acoustic and Electric basses in real-time with a whole new level of realistic phrasing, and finally allows for repeated notes that sound completely natural like a bass player, and not like the dreaded "machine gun" sampler effect!
ELECTRIC BASS
The huge selection of Electric Basses are from all new, painstakingly recorded sessions, and features classic 4, 5 and 6 string models, performed in Fingered, Picked, Muted, Rock & Roll, Slapping, Ballad, Fretless and R&B techniques through rare, custom-made tube preamps. Special variations are presented including Harmonics, Glisses, Fuzz, Trills, FX and thousands of Slides! Both Modern and Vintage "Old School" Electrics are available, providing a wide array of tones for different musical settings. All the patches are mapped the same way, so that one sequence will work with any bass you select.
There are thousands of samples used in these instruments, mapped with multiple dynamics for amazing expression. You don't have to "assemble" Bass parts with Trilogy, it's extremely playable as a highly expressive real-time instrument too!
To complete the picture, every Acoustic and Electric Bass in Trilogy has a special "Finger Noise" release layer with release triggering, that gives these basses amazing realism -perfectly simulating the fretboard response of the real bass. When a note is released, the Finger Noise layer triggers an appropriate noise sample from among hundreds of tiny fret noises, subtle string scrapes, squeeks, x-notes, taps and mutes, which add a user controllable "human" imperfection element to your performance. You can also easily control how much of this effect you want, since the noise effect is on its own layer that can be controlled from the Trilogy Mixer.
SYNTH BASS
Trilogy is one of the most awesome Bass Synthesizers ever made! Have you ever struggled with trying to fit your synth bass sounds to sit in a track properly? The sound of Trilogy is not only ultra-fat, but it sits great in a mix. That's because we've created high-resolution core samples from legendary Analog Bass Synths like the Minimoog™, Roland Juno 60™, Roland TB-303™, Roland SH-101™, Oberheim™ SEM, Moog Taurus™, OSCar™, Access Virus™, Yamaha CS-80™, Arp Odyssey™ and 2600™, Studio Electronics SE-1™, Omega™ and ATC™ Tone Chameleon, Sequential Circuits Pro One™, the mighty Moog Voyager™ and many others! Trilogy's multimode resonant filters allow you total control over the sound, while still retaining the original character and power of the classic analog instruments.
Each fully programmable layer has its own multimode resonant filters, four LFOs, three envelopes, adjustable sample start and matrix modulation. There's also an additional master filter for quick tone shaping.
In addition to gigabytes of high-resolution sampled vintage synth waveforms, and thick multimode resonant filters for each layer, Trilogy has the rare feature of smooth analog synth-style Legato triggering and Glide that software samplers lack. This capability allows for Synth Bass sounds that truely play like a vintage analog synth. This feature can also be used with any of the Electric or Acoustic Basses, for unique hybrid Bass sounds that you've never heard before!
Whether you're looking to anchor your mixes with a giant vault of amazing Bass presets, or you're searching for a versatile instrument to create your own unique Bass sounds... there's no other Bass instrument out there with the tone, variety and flexibility of Trilogy -it's simply in a class by itself.
TRIPLE THE FAT!
* World's only dedicated Acoustic, Electric and Synth Bass instrument
* Earthshaking, Cone-blowing, Subsonic sound
* Massive 3 gig core library
* All NEW Sounds developed by award-winning sound designer Eric Persing.
* Hundreds of brand new Electric, Acoustic and Synth Basses, each with dual layers.
* Mix and Match layers for thousands of dynamic combinations
* Highly-detailed, multi-velocity multisample articulations for ultimate expression.
* Innovative 'True Staccato' sample-mapping, for natural sounding repeated notes.
* Finger Noise release layer for ultimate realism
* Analog synth-style Legato triggering with Glide
* Easy to use built-in patch management system
* Fully programmable
* Multimode resonant filters for each layer, plus master filters
* Three envelopes per layer for Pitch, Filter and Amplitude
* Matrix-style modulation routing, four syncable LFOs
* Total recall with your sequence
* Powered by custom 32 bit UVI engine
http://rapidshare.com/files/189812874/Sp-ect-ras-on-ics_Tr-i-logy_1-.2.part01.rar
http://rapidshare.com/files/189812869/Sp-ect-ras-on-ics_Tr-i-logy_1-.2.part02.rar
http://rapidshare.com/files/189812868/Sp-ect-ras-on-ics_Tr-i-logy_1-.2.part03.rar
http://rapidshare.com/files/189812872/Sp-ect-ras-on-ics_Tr-i-logy_1-.2.part04.rar
http://rapidshare.com/files/189820346/Sp-ect-ras-on-ics_Tr-i-logy_1-.2.part05.rar
http://rapidshare.com/files/189820657/Sp-ect-ras-on-ics_Tr-i-logy_1-.2.part06.rar
http://rapidshare.com/files/189821001/Sp-ect-ras-on-ics_Tr-i-logy_1-.2.part07.rar
http://rapidshare.com/files/189821050/Sp-ect-ras-on-ics_Tr-i-logy_1-.2.part08.rar
http://rapidshare.com/files/189828843/Sp-ect-ras-on-ics_Tr-i-logy_1-.2.part09.rar
http://rapidshare.com/files/189829018/Sp-ect-ras-on-ics_Tr-i-logy_1-.2.part10.rar
http://rapidshare.com/files/189829544/Sp-ect-ras-on-ics_Tr-i-logy_1-.2.part11.rar
http://rapidshare.com/files/189829791/Sp-ect-ras-on-ics_Tr-i-logy_1-.2.part12.rar
http://rapidshare.com/files/189901455/Sp-ect-ras-on-ics_Tr-i-logy_1-.2.part13.rar
http://rapidshare.com/files/189902227/Sp-ect-ras-on-ics_Tr-i-logy_1-.2.part14.rar
http://rapidshare.com/files/189904075/Sp-ect-ras-on-ics_Tr-i-logy_1-.2.part15.rar
http://rapidshare.com/files/189904491/Sp-ect-ras-on-ics_Tr-i-logy_1-.2.part16.rar
http://rapidshare.com/files/190047542/Sp-ect-ras-on-ics_Tr-i-logy_1-.2.part17.rar
Monday, January 26, 2009
U-he Zebra VSTi v2.3.1 Incl Keygen - AiR
Zebra is a next-generation virtual synthesizer plug-in. It combines
subtractive and additive synthesis with a powerful modulation engine that even
smoothly integrates with the built-in effects section.
With version 2, Zebra has not only become an even more wireless modular synth.
It also adds the sonic capabilities of FM, modeling of natural sounds and
advanced wavetable synthesis... latter can be learned & used quickly with
Zebralette, which is an included mini-Zebra
Zebra at a glance:
Phat, warm and organic sound. A very musical character
Beautiful, intuitive user interface
More than 250 great presets included, thousands (!) available for download
(see download section)
Fully stereo signal paths for wide and deep sounds
Outstanding filters (19 types)
High quality oscillators with innovative Osc FX
Built-in modular effects matrix
Flexible modulation matrix
hundreds of fully automatable parameters
Zebra for live performers: (or just awesome new creative experimentation)
4 XY-controls, allowing for deep realtime sound morphs
nice and quick preset browsing
MIDI Learn: All knobs remotely controllable by Midi Control Changes, also with
relative/incremental controllers
Zebra for sound designers:
Modular architecture with up to 4 oscillators, 4 dedicated fm oscillators, 4
filters, 4 vca/pan, comb filters, waveshapers, ringmodulators, noise
generators for each voice
that's 24 audio modules, 28 modulation sources, thousands of parameters to
tweak, accessible over a still very intuitive user interface
drag and drop circuit building
4 syncable MultiStage envelopes/step sequencers
4 ADSR envelopes, 4 LFOs per voice
Playmodes: polyphonic, single trigger, legato modes and arpeggiator/step
sequencer
Spectral Editor: Unlimited number of Waveforms (including additive synthesis)
Flexible Modulation Matrix
16 on-board Effects: ModFX (Chorus, Flanger, Phaser), Delay, Reverb,
Ringmodulator, Filters, Waveshapers, Mixers
2 internal send busses and flexible effects routing
Many effect parameters can be modulated!
http://rapidshare.com/files/189773241/U-h-e.Zeb-ra-.VST-i.v2.3.-1.Incl-.K-eygen-A-i-R.rar
Native Instruments FM8
FM8 delivers unsurpassed depth, brilliance, and dynamism - perfect when it comes to crystalline sounds for melody and percussion.
Native Instruments has harnessed the power of FM synthesis. The strengths of digital are manifest in FM8’s powerful audio engine which generates breath-taking, brilliantly dynamic FM sound in pristine quality. Picking up where its award winning predecessor, the FM7, left off, the FM8 takes FM synthesis to a new level. With its emphasis on ease-of-use, the FM8 brings a high degree of simplicity to the otherwise intricate process of FM synthesis.
Synthesis From The Start
A central aspect of FM8 is usability. The "Easy Edit Page" offers a clearly designed interface with simple controls that adjust more complex parameters automatically, allowing you to take a far more musical approach to FM synthesis. The more detailed editing pages have been improved for easier handling and are all accessible with just one click. FM8 lets you play straight away!
Beyond Frequency Modulation
The FM8 offers an unprecedented range of features and effects. The classic crystalline bells and keys are perfect for creating melodic and percussive sounds of the highest quality. A unique arpeggiator, a revolutionary sound morphing feature and a large selection of new, charismatic effects add countless sound-shaping possibilities. The sonic potential of FM8 goes well beyond the confines of conventional FM synthesis.
Instilled With Inspiration
Included with FM8 are over 960 ready-to-play factory sounds. Rich and detailed, these presets exemplify the strengths of FM synthesis, from dynamic digital pianos to bright, bold brass. Also included are a number of effect rack, sound morphing and arpeggio presets. The integrated KoreSound® Browser makes managing the KORE-configured presets fast and easy. Simply search and you will find - instantly.
http://rapidshare.com/files/189756306/Na-ti-ve.In-stru-me-nts.F-M-8.rar
Future Audio Workshop Circle v1.0 VSTi DXI RTAS
A powerful, easy to use software synthesizer.
Visually Design Sounds
Simply move colour coded circles around the interface to start creating your own unique sounds. Preview the connections by just hovering the circle beneath a knob. Explore sound in an intuitive way.
Powerful Audio Engine
Choose from a large variety of effects and audio modules. Mix the classic synthesizer tones of analog modeled filters and oscillators with contemporary wavetables and digital bit crushers.
Start Right Away
To get you started, Circle comes with many pre-made sounds, in a wide variety of styles and genres.
Creative control
Assign your midi controllers in a simple and fast way with visual midi learn. Attach multiple parameters to a single controller.
Everything at a glance
With Circle’s high contrast, single pane interface you can see everything at a single glance while performing live on stage.
http://rapidshare.com/files/189713753/Futu-re_Aud-io_Work-shop_Cir-cle_VS-Ti_D-XI_R-TAS.rar
Native Instruments Kontakt v3.0.2.004 VSTi RTAS.REPACK-DYNAMiCS
Now in its third incarnation, KONTAKT 3 builds on its reputation as the industry standard for professional sampling. The outstanding audio engine and state-of-the-art modular architecture provide unlimited sonic potential for your music. Universal file import ensures global compatibility.
A huge sound collection connects you to a multitude of instruments, and the reworked interface makes playing and tweaking them effortless. KONTAKT 3 is the premiere sampler for artists and producers from across the musical spectrum.
http://rapidshare.com/files/189605414/Na-ti-ve.Instru-ment-s.K-ontak-t.v3.0.-2.0-04.VS-Ti.RT-AS.rar
Ueberschall Minimal Techno VSTi RTAS AU HYBRiD DVDR-DYNAMiCS
Minimal Techno is an Elastik Player-based sample loop library that accentuates the resourceful minimalist approach to synthetic club productions. This library is comprised of compacted/subtracted club grooves which capture the latest spectrum of sound frameworks used in the scene. Other highlights are devious sound anomalies and robust soundscapes. Minimal Techno offers the user 75 construction kits, 250 instrument loops, 75 drum kits and 234 knock-out one-shots.
Minimal Techno contains 1.6 GB of style accurate leads, pads, bass, drums, stealth elements, spheres and textures. All samples have been refined and designed for Minimal Techno, Electro and Tech House but will mesh with parent and sibling genres such as: Glitch, Minimal House, MonoMusic, MicroMusic, Rave, IDM. Traditional percussive and other instrumentation randomization is enhanced with microtonal textures and sound incidents.
The Elastik Player features include:
* Highspeed timestretching and pitchshifting.
* "LoopEye" for fast loop variations.
* All parameters MIDI controllable.
* Multiple content management.
* Each product separately installable.
* Mapping tools (automatic slice- & chromatic-map).
* Save audio of original and modified loops.
* Creation of user presets.
* Filter with "kill function" (-72db).
* Adaptable to tempos from 10 to 480 BPM.
* Audio engine for quick adaptation.
http://rapidshare.com/files/189333831/Ueb-ersch-all_M-ini-mal_Te-chno_V-STi_RTA-S_AU-_HYBR-iD_D-VDR-DYNAM-iCS.part01.rar
http://rapidshare.com/files/189334837/Ueb-ersch-all_M-ini-mal_Te-chno_V-STi_RTA-S_AU-_HYBR-iD_D-VDR-DYNAM-iCS.part02.rar
http://rapidshare.com/files/189337025/Ueb-ersch-all_M-ini-mal_Te-chno_V-STi_RTA-S_AU-_HYBR-iD_D-VDR-DYNAM-iCS.part03.rar
http://rapidshare.com/files/189337312/Ueb-ersch-all_M-ini-mal_Te-chno_V-STi_RTA-S_AU-_HYBR-iD_D-VDR-DYNAM-iCS.part04.rar
http://rapidshare.com/files/189380113/Ueb-ersch-all_M-ini-mal_Te-chno_V-STi_RTA-S_AU-_HYBR-iD_D-VDR-DYNAM-iCS.part05.rar
http://rapidshare.com/files/189380792/Ueb-ersch-all_M-ini-mal_Te-chno_V-STi_RTA-S_AU-_HYBR-iD_D-VDR-DYNAM-iCS.part06.rar
http://rapidshare.com/files/189382702/Ueb-ersch-all_M-ini-mal_Te-chno_V-STi_RTA-S_AU-_HYBR-iD_D-VDR-DYNAM-iCS.part07.rar
http://rapidshare.com/files/189382948/Ueb-ersch-all_M-ini-mal_Te-chno_V-STi_RTA-S_AU-_HYBR-iD_D-VDR-DYNAM-iCS.part08.rar
http://rapidshare.com/files/189584759/Ueb-ersch-all_M-ini-mal_Te-chno_V-STi_RTA-S_AU-_HYBR-iD_D-VDR-DYNAM-iCS.part09.rar
http://rapidshare.com/files/189584829/Ueb-ersch-all_M-ini-mal_Te-chno_V-STi_RTA-S_AU-_HYBR-iD_D-VDR-DYNAM-iCS.part10.rar
http://rapidshare.com/files/189584989/Ueb-ersch-all_M-ini-mal_Te-chno_V-STi_RTA-S_AU-_HYBR-iD_D-VDR-DYNAM-iCS.part11.rar
Friday, January 23, 2009
GForce impOSCar VSTi RTAS 1.10
The impOSCar is modelled on the unique and wonderfully esoteric British synthesiser, the OSCar.
OSCar was manufactured between 1983 and 1986 and was used to great effect by artists such as Ultravox, Jean-Michel Jarre, Stevie Wonder, Underworld, Orbital and even Oscar Peterson. Because it was released at the same time as MIDI and early affordable polyphonic synthesisers affordable the instrument wasn't a huge commercial success and only 2000 were produced before the company ceased trading.
However, to those in the know, OSCar has been a highly prized item and the secret weapon in many programmer's sonic arsenal. In a sea of monophonic subtractive synths available at that time it was unique and refreshing in many ways: It looked interesting, it had an additive synthesis section, it had memories, it was duophonic and monophonic and, with the exception of the filter, it was all digital. All of these features contributed to its sound which could be summed up in one word- Awesome. From sublime to screaming, from clean and clinical to phat as phuck, the OSCar did it all.
The impOSCar was two years in production and since its release it'amount of s become one of the most respected virtual synthesisers on the market. All the notable features of the original instrument are evident here as well as several enhancements including a more intuitive additive section, polyphony, increased LFO waveforms and a chorus and delay effects section.
The filters are a particular highlight of the impOSCar and feature two stunning 12dB filters running in series, a filter overdrive and sublime separation control. With these and the huge waveforms on offer the impOSCar is capable of a range of sounds far beyond that of any standard subtractive synthesiser.
Awards
Since its release, the impOSCar has won numerous industry awards including:
Future Music Platinum Award
Computer Music EditorÕs Choice & Performance Awards
Keyboard Magazine Key Buy Award
Music Tech Magazine Recommended Award
Electronic Musician Best Software Emulation of 2004 Editor's Choice Award.
Features Extremely faithful analog modelling
2 digitally controlled oscillators, 13 waveforms with Additive Wave Matrix
Multiple velocity, triggering, portamento and arpeggiator modes
9 filter types with overdrive, cutoff, Q and separation
2 envelope generators
Extensive LFO section with sync
Powerful effects section (including a duck delay)
MIDI learn function with storable Continuous Controller maps
Full automation
500+ designer patch library
http://rapidshare.com/files/188259843/GFo-rce_im-pOS-Car_V-STi_R-TA-S_1.10.rar
Ueberschall Analog FX
Ueberschall Analog FX boasts a massive library of analog sounds and loops which contain over 1.7GB of cutting-edge sound material. This plug-in is a state-of-the-art FX collection offering a wide variety of atmospheres, noises, basslines, leads, sweeps and synth loops. This is a must for producing advertising and gameaudio, trailer creation, cinema and tv post production, animation, sound design and multimedia presentations.
All sounds are organized into folders, loops include BPM information and tonal effects are accurately described and assigned to their root keys. Ueberschall Analog FX was produced by Marc Steinmeier. a highly respected music producer and sound designer in the international music industry.
Content includes:
* Atmosphere FX (Dark Mood, Filtered, Low End, XXL)
* LFO FX (Dark Mood, Filtered, Grooves, Hard & Dirty, Random, Resonance, Sirens)
* Mixture FX
* Noise FX
* SciFi FX (Filtered Drones, Signals, Sub FX, Sweep FX
* Synth Gooves FX (Basslines, Noiselines, Sublines, Synthlines), Weird FX
Mac System Requirements
* Mac OS X 10.3.9
* 512 MB RAM minimum
* G4 500 MHz minimum
* 1.5GB free hard disc space
Windows System Requirements
* Windows 98SE/XP
* 512 MB RAM minimum
* Pentium 800 MHz minimum
* 1.5 GB free hard disc space
http://rapidshare.com/files/188147868/Ue-ber-sc-h--all_A-nal-og_F-X.part01.rar
http://rapidshare.com/files/188148256/Ue-ber-sc-h--all_A-nal-og_F-X.part02.rar
http://rapidshare.com/files/188148790/Ue-ber-sc-h--all_A-nal-og_F-X.part03.rar
http://rapidshare.com/files/188138305/Ue-ber-sc-h--all_A-nal-og_F-X.part04.rar
http://rapidshare.com/files/188138307/Ue-ber-sc-h--all_A-nal-og_F-X.part05.rar
http://rapidshare.com/files/188138303/Ue-ber-sc-h--all_A-nal-og_F-X.part06.rar
http://rapidshare.com/files/188138308/Ue-ber-sc-h--all_A-nal-og_F-X.part07.rar
http://rapidshare.com/files/188141643/Ue-ber-sc-h--all_A-nal-og_F-X.part08.rar
http://rapidshare.com/files/188142884/Ue-ber-sc-h--all_A-nal-og_F-X.part09.rar
http://rapidshare.com/files/188142886/Ue-ber-sc-h--all_A-nal-og_F-X.part10.rar
http://rapidshare.com/files/188143012/Ue-ber-sc-h--all_A-nal-og_F-X.part11.rar
http://rapidshare.com/files/188146453/Ue-ber-sc-h--all_A-nal-og_F-X.part12.rar
Wednesday, January 21, 2009
Steinberg Music Workstation Hypersonic 2 VSTi
Hypersonic 2 - The Ultimate Virtual Music Workstation
Steinberg's ultra versatile Music Workstation Hypersonic 2 contains thousands of top-drawer sounds in a package programmed to spare resources. Boasting four extraordinary sound engines, 1.7 GB of high-quality samples, and 1,800 jaw-dropping factory presets, Hypersonic 2 offers an all but inexhaustible pool of sounds, effects and instruments. Sensational sound quality and intuitive playability and handling make this virtual Music Workstation a flexible tool equally well-suited for almost every style and genre of music.
* Phenomenal sonic variety courtesy of a combination of different synthesizer engines(analog, FM, Wavetable) and a sample player
* Vast sound pool with patches, combis, drum kits and loops for almost every musical style from dance to classical
* Excellent performance: Polyphonically playable bar with up to 1,024 voices, 32 stereo outs and 16 MIDI channels per instance
* Highly intuitive sound design using Hyperknobs for vital sound parameters, with MIDI learn included
* Polyphonic arpeggiator and an extensive effects section
* Cross-platform (Mac/PC) application supports all standard plug-in formats (VST, DXi, AU, Rewire); standalone mode
http://rapidshare.com/files/187046426/H-YP-ERS-ON--IC_-2.part01.rar
http://rapidshare.com/files/187046424/H-YP-ERS-ON--IC_-2.part02.rar
http://rapidshare.com/files/187047833/H-YP-ERS-ON--IC_-2.part03.rar
http://rapidshare.com/files/187047937/H-YP-ERS-ON--IC_-2.part04.rar
http://rapidshare.com/files/187050523/H-YP-ERS-ON--IC_-2.part05.rar
http://rapidshare.com/files/187050563/H-YP-ERS-ON--IC_-2.part06.rar
http://rapidshare.com/files/187051998/H-YP-ERS-ON--IC_-2.part07.rar
http://rapidshare.com/files/187052036/H-YP-ERS-ON--IC_-2.part08.rar
http://rapidshare.com/files/187054868/H-YP-ERS-ON--IC_-2.part09.rar
http://rapidshare.com/files/187054906/H-YP-ERS-ON--IC_-2.part10.rar
http://rapidshare.com/files/187056468/H-YP-ERS-ON--IC_-2.part11.rar
Tuesday, January 20, 2009
Tone2 Gladiator v.1.2.2.0 Retail VSTi - MelodY
This new synthesis method is based on a large and expandable repertoire of standard waves like pulse, unique synthetic waveforms as well as resynthesis waves like trumpets, organs, pianos and voice samples. These waves can be modified in real-time by e.g. FM modulation, altering its harmonic structure, syncing, waveshaping,...
Any modification of a wave can be modulated producing lively shimmery sounds (recall: with only one oscillator!). In total there are more than 30,000 different spectra available for combination and modulation.
Synthesis features
* Advanced HCM (new synthesis, unique sounds)
* FM
* AM
* PWM (can be applied on every waveform)
* Sync
* Phase modulation / PM
* Vocoder sounds (512 bands)
* Waveshaping
* Supersaw (can be applied on every waveform)
* Additive sounds (512 harmonics)
* Resynthesis sounds
* Phase distortion
* Sample playback
* Real stereo
* 18 oscillators per voice
* 74 different oscillator types with 30208 waveforms
* Additional user defined waveforms with modifiers
* Aliasfree / 162x oversampling (sample playback)
* Modular routing
Filters and effects
* 40 different filters in high-end quality (Analog, vocal, comb, elliptic, phaser, lowpass, highpass, bandpass, notch, EQ, ...)
* 20 different effects in high-end quality
* 7 distortion types with warm, analog sound
* Programmable arpeggiator, step LFO and trancegate
* BPM syncable
* IQM for clearer chords (intelligent microtuning)
* 4x stereo unison
http://rapidshare.com/files/186643159/Ton-e2.Gla-diator.v.1.2.2.-0.Ret-ail.VS-Ti--Mel-odY.rar
Applied Acoustics Lounge Lizard VSTi.DXi.RTAS v3.10 - AiR
Once again, AAS rises the bar in the re-creation of the classic Rhodes™ and Wurlitzer™ electric pianos. Not only does Lounge Lizard EP-3 deliver the authentic tone of the originals but it also preserves their action and feel. Once you get your hands on Lounge Lizard, that elusive electric piano sound becomes a reality—you'll be proppelled into inspirational space.
Building up on our physical modeling know-how, we've come up with the refinements that takes one of the most impressive and unanimously acclaimed software instrument of the industry further ahead.
* Presets The brand new library fully exploits the refinements on offer and covers all your electric piano needs.
* Effects The high-end effect section has been extended with tremolo, wah, chorus, phaser, delay, reverb, and EQ—making Lounge Lizard a complete and self-contained electric piano solution.
* Pickup model Two pickup types are now available for a wider character range: electromagnetic (Rhodes™) and electrostatic (Wurlitzer™). In addition, scaling has been added for even volume across the entire keyboard.
* Fork model The new and improved Fork model adds upper harmonic content for an even more authentic sound.
* Damper model The improved Damper now closely interacts with the Fork and provides superb dynamic response.
* Audio Recorder The integrated audio Recorder captures inspired moments on the fly.
* Micro-Tuning Custom tunings are now possible with the added support for Scala files.
http://rapidshare.com/files/186644491/Lou-nge.Liz-ard.VS-Ti.DXi-.RTAS.v3.10.I-ncl.Ke-ygen-AiR.rar
LennarDigital Sylenth1 VSTi v2.202 Incl Keygen - AiR
Sylenth1 is a softsynth so basic and conventional in architecture and routing that you'd never suspect, on first glance, how utterly superior it is. It is the best sounding subtractive emulation I've heard bar none, even better to my ears than the Minimonsta, of which I am very fond. Sylenth1 has a rubbery thickness to its basic sound that is shockingly analog-like, and it really holds up in a mix with real instruments far better than most softsynths. It is, in every other regard, a modest and limited sofsynth. There are many features I wish it had that it lacks in its present form, but all of those qualms and complaints are destroyed--daily--by the essential sound quality of Sylenth1.
http://rapidshare.com/files/186644283/Len-narDigi-tal.Sylent-h1.VSTi.v2.2-02.In-cl.Ke-ygen-A-iR.rar
IK Multimedia T-Racks Deluxe VST-RTAS v3.0.1 - AiR
The new T-RackS 3 raises the bar again in high-end DAW mastering and mixing, with a suite of 9 analog modeled and digital Dynamics/EQ processors, an audio quality that is unmatched in software, and scores of new and unique features.
Modular High-End Mastering/Mixing Suite of Dynamics and EQ processors, including:
* 9 processors comprised of 3 new analog and vintage emulations (including models based on the Fairchild 670 and the Pultec EQP-1A), 2 new digital processors as well the 4 classic, award-winning T-RackS processors
* New configurable mastering/mixing chain – run up to 12 parallel/series processors
* New complete built-in metering section with Peak, Perceived Loudness, Phase, and RMS meters, plus a Spectrum analyzer with Peak, RMS and Averaging indicators
* New standalone and plug-in versions available in the same package for use in all the most popular native DAWs
* New high-fidelity oversampling with crystal clear transparency, for high quality audio processing throughout the entire signal path
* New SCC™ technology coupled with IK’s unique DSM™ technology provides the most realistic software emulation of vintage gear to date
* Extremely easy to use, with style-based presets, full chain visualization, one-click single module or chain bypass, “compare” function, multiple audio processing in standalone mode and much more
T-RackS 3 has all the tools you need to create superb, tube-toned or digital-tuned, mixes and masters. Its rich, warm sound combines new tube-modeled and state-of-the-art digital processors on top of its classic top-notch analog classics. A new modular chain gives you full control and easy navigation/compare features. A new complete metering section keeps all the most important variables of your sound under control. A truly superior mastering and mixing system that will put a polish on your tracks you may have never thought possible. All this, while adding the beautiful warmth and space of the tube devices it emulates. No other plug-in offers this kind of dedicated environment for such an important task, and nothing sounds like T-RackS 3.
http://rapidshare.com/files/186632249/IK.Mul-time-dia.T-R-acks.Del-uxe.VST.RTAS.v3.0.1.Incl.Keyg-en-AiR.rar
